Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Saturday, 14 May 2016

Visit to Salford University & Media City Manchester

(For pictures, scroll to the end of this post)

In the summer of 2012 I visited a few universities and colleges in the UK. I was looking at their music production and media programmes, while at Salford I also wanted to get an impression of both research opportunities and business studies. My Salford visit was during an open-day event, which turned out to be both a good and a bad thing. Good because I got to look around at will (and perhaps detected a lack of planning that I wouldn't otherwise?), and bad because the event didn’t run too smoothly as far as music and media was concerned. (The presentation of business studies ran very smoothly though!) As a result, this post will start off in the negative (taken in good humour on the reader’s part I hope)—but I will climb into the positive towards the end. The bottom of this post shows the Salford media facilities in pictures.



I arrived on campus and many things went wrong. The music teacher who was supposed to show us around did not produce his presence, and another man was unpreparedly pressed into service. We however, were unpreparedly pressed into an over-filled wizard’s archive in the dungeons of an old building where this poor man once had been placed. The next hour was spent listening to one or two really keen brass-players asking about brass-music education. The seating facilities were questionable. I didn’t see a single recording studio. At media city there were no media-teachers available who could talk about the programme nor its facilities. But I got a really friendly tour by an academic staffer from another department. Things picked up a bit! This post, hence, will not deal with music production (the closest I got was brass-music education), but rather media production. However, I did learn that through a private donation Salford University received a large amount of old recordings, memorabilia and I believe printed music—you guessed it; for brass bands! Jokes aside. If you’re a brass-player, or especially, a brass-music researcher, this sort of resources set Salford clearly apart!

The Media City story is impressive. A quick rendition from memory goes something like: BBC had been looking for new and more modern facilities than Broadcasting House in London. A property company wanted to build a facility in Manchester, but BBC was initially not interested. Then the company asked Salford University who said they might be interested if BBC joined. The company spoke to BBC again, who would upgrade their response to ‘potentially interested’ if Salford joined in. A lot of back and forth followed and finally BBC, ITV, Salford University and several smaller players ended up at Media City in Manchester. The area is a modern development with a waterfront, a large hotel, and places to eat and drink.

The media education at Salford has quickly sailed up as one of the most talked about media programmes internationally and I have been curious to visit them for a long time. Other higher education institutions are reportedly travelling from around the world to look at what Salford is doing and create ties with their programmes. Somewhat fiddly though, the music and media education is split across two campuses with media at Media City and the rest still at the old Adelphi Building. I understood there was very little collaboration between the people who held house in the two buildings. This would disappoint me if I was a student, and there is a great scope for very beneficial collaborations between the programmes. A new flagship building for the performing arts is being finished in 2017. Give it 6 months to a year after completion and I’ll believe all facilities will run smoothly.

Two things I have learned about facilities through my own educational journey are: Never judge an institute by the exterior of its buildings. I once attended a renown higher education institute with pristine buildings who didn’t deliver very well on the technical facilities inside the buildings. Salford should be elevated a many steps above that level in professionalism, but my advice is to visit the university yourself to evaluate the progress of any new buildings if they relate to your studies. Talking to current students is naturally a good thing also. The second is, don’t judge close geographical proximity to industry-giants as a sign of actual collaboration with the industry. My own number one alma mater, Leeds College of Music (who is an excellent college!) has a glass-covered bridge running from it’s own building to BBC Yorkshire. I have never collaborated with nor attended lectures by anyone from the BBC. But the first time I rocked up on campus it made my heart beat a little faster.

There are still three good things about having the BBC and other media-companies next door to Salford’s media programmes:
1. BBC and Salford University actually collaborates—but to know how it relates to your studies you should stay up to date on the news from the School of Arts & Media.
2. Thanks to collaborations and proximity it will be easier for BBC to hire graduates from a programme they have worked with. These are programmes where they will know some of the lecturers—lecturers who actually know you!
3. Studying a short walk from the BBC, ITV and the Greenhouse (where many smaller media-businesses reside), it would be easy (for a lucky few) to juggle internships with studies, make connections, or hand off CVs face-to-face.

Salford University has a strong name in media education. What their programmes do differently (apart from having a very favourable location and excellent facilities) I’ll have to wait till my next visit to really find out—when I hopefully get to meet the right people. I would love to tell you more! Meanwhile, I’m watching them with great interest as a university who is placing itself at the forefront of international media education. It’s not unthinkable that other universities may try to replicate the infrastructure Salford is a part of at Media City, and if they have the funding they really should! Even smaller collaborations between local media, education and other organisations would be beneficial for institutes of more modest sizes and means. For media courses at colleges around the world, Salford is positioning itself as an attractive course validator.

Since I didn’t get to meet any key people from music production or media I won’t have any conclusions about the programmes. Perhaps that’s just as well. Salford has got some big building-works going on and you should go there to visit if you consider enrolling. Having seen a college go through a transition from one campus to another once as a student, I remember it as potentially messy. But there is no rule that states this has to be the case. The New Adelphi Building was initially intended to be finished in 2016, but Salford’s webpage now states it will be in early 2017. If that goes to plan, the Autumn-intake for 2017 should have a pristine campus, and the last bugs and challenges should be sorted out by 2018. If it holds the same standard as Salford’s media campus, we have a lot to look forward to and the plans for the place look great. I would certainly love to come back for a visit!


Radio Studios

 




Standard set-up for radio-interviews and talk-shows. This is the traditional
way and looks just like it did when I first spoke on radio 25 years ago.
This set-up requires a separate control-room and many smaller radio stations
may not have this ability, in which case the show host is operating the
technical equipment themselves while talking.

Broadcasting Control Room


Several disciplines of production working together on the same desk.
Production, image, and sound

Where the producer can see and hear everything going on the air

Maybe image-people can tell me what's going on here, but as a
music producer I'll refrain from commenting :)

A simple audio set-up from a music producer's view. But a good
little set-up for controlling multiple lines of audio from, say, a TV-studio.
High quality audio equipment and close proximity to the rest of the team
(image, producer etc.) for seamless collaboration


 TV Studio


How many universities have their own news-desk?
This is an excellent facility for integration between those who are
in front of the cameras and those who are behind all the gear.
Here's a YouTube link where you can see the studio in use.

Left of the news-desk

Camera. Audio and visual monitoring for presenters. Control room
can be seen through the glass

Excellent connectivity

 Computer Labs


Computer lab with a view

Double screensets

Workstation

Library


 
Media Campus Library

Media Campus Library

My type of books :)

Rest of the Media City Area


Salford University, Media Campus

Salford University, Media Campus

The Greenhouse has offices for rent for small creative businesses,
right next door to Salford Uni, BBC and ITV. It is a great way of
facilitating new innovation close to the big media and education
giants


Media City Area

BBC and Salford University at Media City
Photobomb by Andy Murray :)

View by the waterfront

View by the waterfront


Sunday, 26 October 2014

World Intellectual Property Rights Day 2014 in Norway





This Spring I attended a seminar at the Norwegian Industrial Property Office. The seminar was aimed towards film and TV-production. It hosted a range of speakers within the fields of production, distribution and law. The World Intellectual Property Rights Day is a worldwide event and this year’s theme was “Movies – A Global Passion.” Some of the presentations can be seen on Youtube. Here’s a breakdown of the speakers and their presentations:

Per A. Foss, Director General, Norwegian Industrial Property Office (NIPO)
He has a solid academic research career and has worked with business development and licensing before taking up his role at NIPO in 2012. Foss talked about NIPO’s work in general and highlighted their increasing interest in assisting the creative industries, as this is a sector in growth. As a creative practitioner in the Kingdom of Norway having this solid backing and desire to connect from an organisation like NIPO is reassuring. From the mingling after the event it was also clear that NIPO is interested in opportunities to connect with institutions in Higher Education, to help educate prospective creative practitioners. This could include taking part in events, helping with developing curricula and more.

Håkon Briseid, CEO and Producer, MonsterScripted (Vimeo link)
Talked about:

·      Taking an idea through to a product for visual media.
·      What can be patented and what cannot? (with examples of current shows that have fed of each other’s ideas).
·      How to work well with writers and book authors in turning their products into films.
·      How the film and TV-industries have changed over the last decade and how this should affect your approach to production.
·      Where money currently is moving and not moving within the industries.
·      Effective pitching.
 
Hedvig Bengtson, Senior Adviser, Norwegian Industrial Property Office (NIPO)
Hedvig is a Senior Legal Advisor at the Norwegian IndustrialProperty Office. Hedvig provided an overview over various actions that are being taken to fight piracy internationally. Many of the same organisations that work with protecting physical copyright infringements also work with digital infringements. Infringements of copyright to a physical product and a digital product have a lot in common even though they are fundamentally different in nature. Copied digital products are hard to track.

Some organisations working for protection of digital property rights:

·      World Intellectual Property Organization, WIPO (UN). The webpage is a good resource on legal and political matters, and co-operations being done in the area of intellectual property rights
·      Norway’s premier University, the Norwegian University of Science and Technology (NTNU) has recently established Norwegian Academy for Intellectual Property
·      4 official organizations working together in Norway:
o   There is a lot of information spread around the web. A new web-page will be launched towards the end of 2014. The webpage will provide one location for important information

General:
·      Trend: “Piracy kills music” –this type of campaign has not been efficient [little wonder! An entire culture industry in effect criminalizing a whole generation it wishes to benefit financially from! =my comment=]. Increasingly one is trying to provide a positive angle!
·      UK is good at providing good information about where to legally download (The Content Map)
·      Music Inc. is a music management app where you can see how much revenue is lost from an artist to piracy
·      The Norwegian Industrial Property Office has developed an app where you can search for trademarks, company names and internet domains
·      EU completed a study of how much regular people knew about intellectual property rights
o   10% of the population commits 74% of the offences against intellectual property rights (IPR). These are typically aged 15 to 25 years old
o   IPR-intensive industries provides ¼ of the employment and ⅓ of the economic production inside the EU

Simon Strumse, Filmgrail
Filmgrail is a newly launched app and web-page to help you search for new films to watch in a legal way. Filmgrail is aiming to make people watch more films and not just the same blockbusters over and over. With their simple user-interface they make information about films available to you to help with making quick and informed decisions. The first stage has been an app developed with emphasis on the Norwegian marked, but within a short while they will cover the whole world. The system can be implemented in decoders and TVs. I have mentioned Filmgrail and Simon in a previous blog post.

From the presentation:
·      The old model: First viewing (TV)/ Cinema (Film) -> DVD is still the most profitable. But within a few years streaming will take over
·      95% of film revenue comes from about 5% of all films that have been made
·      Consumer decisions are based on psychology. User-friendliness is more important to the consumer than law
·      Popcorn Time is an illegal Argentinian web-service that has collected a huge catalogue of TV and Film in one place (torrents played through a very good interface). It is very user friendly and supposedly better than Netflix. It has no zone restrictions. This should be a wake-up call to the film industry, why are they not doing the same?

·      A lot of culture production is happening in Norway, but not much is known abroad
·      Recent developments at Lillehammer University College
·      The Royal Norwegian Ministry of Trade, Industry and Fisheries has an emphasis on internationalization:
-> Smith asks the question, what can we do to get Norway to open up to international culture?

[My view is that this question should be asked in reverse, how can we get Norwegian culture into the world? I also believe this is much more in line with the other work Smith is doing, and that there is a lot of unexplored commercial gains in exporting a previously globally unknown culture. As a resident of Singapore and the UK for a many years I know the cultural curiosity we are met with as ex-pats. I also believe that a 1000-year-old Kingdom should allow itself to explore more of its millennial-long history than just the last few decades—which is a topic for another time.]

·      Also mentioning: Vision Norway 2030 [for more click link], Norway Exports, The Rise of the Creative Class [review], talking about Norwegian culture as an ‘experience economy,’ and the concept behind Cultural Crossroads.
·      “When you find the essence of culture, everyone can relate to it.”
=Steven Van Zandt=

Shout
Shout out also to Bernd Otto Ewald for an interesting conversation about Norwegian tourism after lunch! Ewald is a Senior Adviser at the Royal Norwegian Ministry of Trade, Industry and Fisheries.

Norway—culture to capitalize from?
Photo: Harald Haltvik

Tuesday, 12 August 2014

Three New Shouts! (pt. 2 – Music and Media)



This is thesecond round of shouts this summer. The shouts are to people I have either met, know or worked with, who are doing something in the creative industries right now worth telling the world about! Like in the last post we’ll still be talking about music, but also cover film and other media. Enjoy!


Ishani Chakravarty
 
Originally from Bangalore, India, Ishani has been flying between India, Singapore and the UK for many years. In Singapore she is one of the entrepreneurs behind high-end video-production house The SingingBush, and has been seen both in front of and behind the cameras. In London Ishani is a graduate of Music Production College Alchemea and is currently working on an EP. She just released her first music-video and the BBC Asian Network promptly named her artist of the week! In the gradual bridge-building between Eastern and Western popular music culture Ishani Chakravarty will be an artist to look out for in the time to come! Here is a recent interview with her from The Times of India, and here is the music-video:




Anaïs Mutumba

Anaïs Mutumba

Anaïs Mutumba is a freelance journalist in London. She specializes in film-reviews and has, amongst others, been writing for Showfilmfirst. The last 6 years she has been an independent film-reviewer, and regularly attends press events and viewings before new films hit the marked. Originally from Rwanda, with a strong passion for Asia, trained in Pharmaceutical Management and currently finishing her Masters in Journalism, her eclectic competence covers a wide field. She has also done training with Shine Media and Channel 4. A name to look out for in connecting viewers to films, TV-presenting and journalistic investigation. Find her at her film-blog!


Simon Strumse & Filmgrail


Simon Strumse is the head of the newly launched Norwegian company Filmgrail. I met him when he held a presentation about his company, and how to see more film online in a legal way in the future. The presentation was held at The Norwegian Industrial Property Office last spring. Filmgrail is a web-service and an app to help you search films in a brand new way. The system can be implemented in TVs and decoders, and the user-interface is remarkably simple. The search-function allows you to become acquainted with both blockbusters and less known films in a much more equal mix than usual. Filmgrail connects simple reviews to viewing-platforms to make your decision making as easy as possible when you want to see a new film. Strumse says he wants us to see more film—‘more’ refers both to variety and to quantity. The viewing-platforms Filmgrail connects you to are currently addressing mostly the Norwegian marked, but international versions are under development and can be tailored to any region. After browsing the page for only a short while I’m already a fan!


The innovative Filmgrail interface